This Saturday, Shades, Yale University’s youngest a cappella group, is performing at the University of Chicago International House. Shades’ repertoire draws on many different musical backgrounds, but its focus is on African-American music, particularly R&B, gospel, jazz, pop, and traditional music.  Having attended several Shades performances, I can attest to the true talent of the group. And normally I am a music snob. But their tone is rich, and their harmonies are tight.  And it doesn’t hurt that the group is incredibly good-looking across the board.  Some of the songs they’ve showcased have ranged from Mary J. Blige’s “Real Love” to a traditional Caribbean mineworker song (adapted from “Sweet Honey in the Rock”). The performance is free, but donations are encouraged.

Shades will perform at the International House at 8pm on Saturday, March 13th. Catch a video of their recent performance in San Diego here.

Memphis garage-punk rocker Jay Reatard was found dead yesterday morning, cause unknown. When we covered him two years ago, before his show at Reggie’s Rock Club, he told us Chicago was his favorite place to play. Chicago will miss him today.

If you have a taste for unpredictable music yet aren’t brave enough to face this past week’s clarion call for a brutal Chicago winter, let WHPK’s Pure Hype challenge your ears while your body sits comfortably in your favorite armchair. This Friday at nine, California’s seasoned multi-instrumental experimental improviser Gino Robair brings his bag of squeals, creeks, and drones for an in-studio performance, supported by Andrew Royal on violin and Aaron Zartzutzki on electronics. If you do feel like venturing out, the Trio WAZ’s show Saturday at the Velvet Lounge should provide more surprises, as it pairs three respected Chicago musicians from disparate corners of jazz. Sax and clarinet player Edward Wilkerson has deep ties to the tradition of Chicago jazz as the former president of the AACM, while WAZ band mate Tatsu Aoki, on double bass, simultaneously investigates American jazz and traditional Asian music. Free improv master Michael Zerang, however, is known for his abstract use of the drum, which does away with nearly everything but the physical instrument itself. When it comes to rock, check out Alabama’s glammy goth punks Wizzard Sleeve, performing at the Mortville loft in Pilsen.

From the People's Atlas of Chicago project; AREA Chicago

A panel discussion on arts and activism in the Chicago, St. Louis, and Detroit will be held simultaneously from all three cities, linked via the internet this Thursday. In Chicago, Little Black Pearl in Kenwood is hosting the event. The event is part of the “Arts and Activism in the Midwest” series, which is part of the Chicago Calling Arts Festival, which is itself part of Chicago Artists Month. In Chicago, the panel is Lindsay Obermeyer, Carol Ng-He, Jennifer Karmin, Dan Godston, and at least one other artist. That may seem like a big panel already, but keep in mind St. Louis and Detroit also have four to five panelists each. It should be interesting to see how a 15-panelist, three-location discussion can take place without collapsing into chaos, let alone be productive. Still, they must know what they’re doing.

October 1, 7-9pm
Little Black Pearl
1060 East 47th Street

This Saturday, monochrome Canadian noisemaker the dead are those who have died headlines at the Mortville loft, and he’s bringing festive but equally abrasive pal Ptarmigan. Both share two major influences—the hoary-but-revered members of the noise canon like Boredoms, DNA, and the Dead C, and the young, fresh, and New York Times-approved acts like AIDS Wolf, Hair Police, and Black Dice. The weirdest bearded members of the noise-connoisseur message board chondriticsound.com aren’t fans, but I hear the kids like it. Also on the all-noise bill: Chicagoans piss piss piss moan moan moan.

Chicago Defender, December 2, 1933

Compiled by memory and with the help of  some found news clippings, University of Chicago alumnus Leon H. Lewis’s (A.B. ‘28) Map of Chicago’s South Side Jazz Clubs ca. 1925-1940 from the Chicago Jazz Archives at the Special Collections Research Center at the University of Chicago is a real topographical gem.  Lewis, a musician himself, was active in the music scene at the UofC, performing the banjo at fraternity events and dances on campus during his undergraduate career.  It appears, since he compiled his map from memory at the age of 80, that he was also a true jazz connoisseur, frequenting the clubs himself and most likely watching jazz greats like Louis Armstrong perform at the Sunset Cafe at 315-317 E. 35th Street with Armstrong’s band, the Sunset Stompers.

Deborah Gillaspie, Curator of the Chicago Jazz Archive, writes about how popular Lewis’s original 11″ x 17″ map was in its original form, and laments the difficulty of making it available to researchers abroad. “There have been jazz maps over the years — Paul Eduard Miller’s map on the endpapers of the 1946 Esquire Jazz Book comes to mind — but nothing as complete as Mr. Lewis’s, nor anything concentrating on the South Side venues,” she writes.  The map, in its new format, provides an interactive feature, where numbered locations direct to individual pages that feature historical paraphernalia from its heyday.

The 11th annual World Music Festival: Chicago starts today and continues through September 24. Over the next week, 57 artists will perform at 21 venues across the city. Only 3 performances take place on the South Side, but they all look like winners:

• Irish folk singer Cara Dillon has been performing since she was 14, both solo and in folk bands. She’s currently touring in support of her fourth album, which was released in the U.S. on Tuesday. Dillon performs tonight, September 18, at 8pm at the World Music Company, 1808 W. 103rd St. $15.
• The Orchestra of Tétouan plays “Andalusian music,” a North African style that uses lutes, rebabs, zithers, goblet drums, and other instruments with fun names. They perform on Sunday, September 20 at 8pm at the University of Chicago’s International House, 1414 E. 59th St. $10, or $5 with student ID.
• Tambours sans Frontières is a Congolese group based around three drummers, two of whom play the senga n’goma. Formed in Brazzaville in 2000, they later moved to Mali, Senegal, and most recently Chicago. On September 23 at 6:30pm, the group brings its intricate, repetitive rhythms to the Washington Park fieldhouse, 5500 S. King Dr. Free.